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"Nanu, where are the flutes?" will have been the thought of by few who listened to Marcel Dupré's "Cortége et Litanie". The first thing that struck the organist Marc Gornetzki was the lack of timbre, so I originally opened my text, but the flutes were not missing at all, as I liked to be taught, on the contrary there were even too many. Marc Gornetzki himself criticized the beginning of the text as "not quite correct" and described the temporary inconvenience of the new organ in an e-mail: "In the first organ piece there was a misalignment in the registers. A high-lying register consisting of several pipes called Mixtur was also drawn to the flute, which was supposed to sound alone. This caused the confusion because it could not be switched off."
It was in the second strata, divided by three corona, in which the Evangelical parish of Lechenich celebrated its new organ in the Church of Reconciliation.At the latest during repeated, unsuccessful allusion, even those who did not know the piece suspected that something was wrong.
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